Casement #4
Casement #4
  • Load image into Gallery viewer, Casement #4
  • Load image into Gallery viewer, Casement #4

Casement #4

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2019
Materials: Cut paper and gesso on panel
Size: 52.5” x 47.5”

100% of the sale proceeds of any artwork during the exhibition go to the artist.
All purchases of artwork are handled directly between the buyer and the artist.

 

Contact artist


Nora was the featured artist for A closer look at FRIEDA (November 2019 - January 2020). She also shared her skills with the community during the workshop on December 10, 2019.

Nora Chase is a visual artist who makes paintings, drawings, and constructions. She lives and works in Philadelphia, PA. Her work focuses on the emotive capacity of material and process explored within the breadth of human scale, sensation, and the built environment. Varied viewing proximity allows surface to function as both indicator and façade as it collapses and extrudes to the point where plasticity and method are ambiguous. The works employ the sublime and the grotesque as a device to seduce and repel by creating densely layered subtle surfaces that are injected with small acts of violence, which elicit multivalent interpretations. These readings draw on abstract personal narratives – broad and systemic in nature and appearance, but ultimately rooted in emotion and the experiential. Nora earned a BFA from Cornell University where she was a recipient of the David R. Bean Prize to study abroad in Rome and the inaugural Post-baccalaureate Exhibition Award. Her work has been exhibited nationally.

You can find more of Nora's work at her website

 

Load image into Gallery viewer, Casement #4

Nora was the featured artist for A closer look at FRIEDA (November 2019 - January 2020). She also shared her skills with the community during the workshop on December 10, 2019.

Nora Chase is a visual artist who makes paintings, drawings, and constructions. She lives and works in Philadelphia, PA. Her work focuses on the emotive capacity of material and process explored within the breadth of human scale, sensation, and the built environment. Varied viewing proximity allows surface to function as both indicator and façade as it collapses and extrudes to the point where plasticity and method are ambiguous. The works employ the sublime and the grotesque as a device to seduce and repel by creating densely layered subtle surfaces that are injected with small acts of violence, which elicit multival entinterpretations. These readings draw on abstract personal narratives – broad and systemic in nature and appearance, but ultimately rooted in emotionand the experiential. Nora earned a BFA from Cornell University where she was a recipient of the David R. Bean Prize to study abroad in Rome and the inaugural Post-baccalaureate Exhibition Award. Her work has been exhibited nationally.

You can find more of Nora's work at her website.

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